Plan.

Introduction.

P.3

Chapter I
Dialectics of national coloring in the translation.
P.5

Chapter II
Coloring and erasure of coloring.
P.13

Chapter III
Analogisms and anachronisms.
P.22

Conclusion.

P.24

Bibliography.

P.26

Appendix.

P.28

INTRODUCTION.

Translation is a mean of interlingual communication. The translator makes possible an exchange of information between users of different languages by producing in the target language a text which has an identical communicative value with the source text. This target text is not fully identical with the source text as to its form originality content due to the limitations imposed by the formal and semantic differences between the source language and target text.

National coloring of the work is one of examples of these differences. Now it is one of important themes to be studied/ During many years the USSR’s confines were closed and we had not much opportunity to interact with many foreign countries. Of course, we had a great number of foreign books but most of them were either classic books or books of working class. So we had not opportunity to value all the literature of foreign countries. the same case was in the foreign countries when they could not get all the variety of Russian literature. They also preferred to read our classics. The result of it was that they could know only archaic coloring of the works and they had little information about national coloring of Russia. And now then USSR does not exist any more every state that was a part of the USSR can perform its own literature and hence national coloring.

The author of this course paper considers that every literature work has its own national coloring. Every work is written in the conditions of the country where the author lives. Therefore the country with its language, mode of life, political, historical, economical atmosphere and many other factors influence on the work and it acquires the national coloring of the country even if the author does not think of creating of any work that would be nationally colored.

The author of this course paper considers the preservation of national coloring to be one of the most difficult tasks for translator. National coloring is the property of the country or its part. Every nation is proud of its history; traditions and it would consider an offence if the translator does not manage to convey the national coloring or if he conveys it wrong. That is why the translator must be very attentive and careful with any kind of literary work.

Dialectics of national coloring

in the translation.

Any literary work appears on the national ground, reflects national problems, features and at the same time the problems common to all mankind. Passing from one nation to another literature enriches and extends the notion of peoples about each other.

It is one of the most difficult cases to convey national coloring. Owing to the translation very important literary works were able to appear in many other countries and became available for people speaking other languages. The translation helps mutual knowing and peoples' enrichment.

National coloring must be reflected adequately in the translation.

Dialectics of national coloring reveals itself specifically in different fields of spiritual culture of people and thus in various types of translation.

In the scientific and technique literature the national psychological categories are less expressed. The contents of such translations is valuable for all nations in spite of their national specific.

Thus, for example, concerning natural sciences Darwin's theory or classic physics of Newton or modern physics of Einstein or Bore have the same meaning for all the countries and nations. The original texts of natural-scientific works and their translations do not differ much from this point of view.

Поделитесь этой записью или добавьте в закладки